Brightened up the shadow parts of the eye. Replacing the texture of the iris. Adding reflections to the eye and an reflection of an aircraft. Using digital fusion for composite.
Making form a close up shot a wide shot. Adding more waves around the people and expanding the waves. The airplane and the exhaust were done 2d in digital fusion.
Using digital fusion for composite.
Using digital fusion for composite.
Using digital fusion for composite. Putting two layer with different light situation together.
Using digital fusion for composite. Putting two layer with different light situation together.
I developed a way to stabilize a sequenze which I call "weighted multipattern stabilizing with auto crop", I think this is a unique way to stabilize a shot.
I used the standart pattern tracker of a nodebased composite software and weighted the rotation, scaling, position. Then I created a parameter based on percentage 100% means 100% stabilized.
The great thing is that it automaticaly repositions your shot and crops your image at the given percentage.
I used the standart pattern tracker of a nodebased composite software and weighted the rotation, scaling, position. Then I created a parameter based on percentage 100% means 100% stabilized.
The great thing is that it automaticaly repositions your shot and crops your image at the given percentage.
The shot was shootet in big pool, and the horizon line was missing. I created a new one and matched the colors.
All things that were on the original horinzont were painted out.
All things that were on the original horinzont were painted out.
The shot was shootet in big pool, and the horizon line was missing. I created a new one and matched the colors.
All things that were on the original horinzont were painted out.
All things that were on the original horinzont were painted out.
